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Reading Stefan Collini's review of a 2005 biography of the very conservative historian Sir Arthur Bryant, and Collini notes Bryant's repeated claims that "an 'intellectual elite' was attempting to undermine 'ordinary people's' inherited religious and moral beliefs in order to impose a 'progressive agenda' that was alien to English traditions." Bryant would go on to argue that "(conservative) beliefs were natural and timeless, whereas his opponents' (radical) beliefs were the programmatic outcomes of 'system' and 'theory'." Consequently, Bryant's history "told 'the national story', which in turn revealed adherence to these traditional values to be the core of patriotism."

You can see exactly that process in the Brexit arguments of a few years ago ("we don't need no stinking experts"), and again in the Reform programme today. But it is not confined to England (Bryant tended to write about England rather than Britain), you see the same thing recurring across the world. The story has a familiar structure: emphasis on the great and noble past, particularly military heroics; the mythologising of defeats that somehow became a cause for celebration (Dunkirk, Valley Forge); the concentration on "Great Men" who of course just happened to look the same as us. You see this today in Netanyahu's Israel, in Orban's Hungary, and particularly vividly in Trump's America (though I suspect they might struggle with words like "programmatic"). Surely we on the left need to find a new way of telling the national story, but one that is still as vivid and attractive as the conservative version.

Two Stones

Mar. 13th, 2025 10:22 am
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While Maureen was ill, I lost a lot of weight through stress. Once she died, that weight went right back on, and increased. So around the middle of last year I started to think about losing weight, mostly through walking. It didn't work: if I lost a pound one week it went back on the following week. Then, in November, I was diagnosed with Meniere's Disease. Suddenly I had to watch my diet, mostly to avoid salt, and since there is an astonishing amount of salt in processed food I had to start cooking more. I'm not a great cook, but when needs must, you learn. And I began walking more, an evening walk around the park became longer, and then longer again. Two weeks later I learned I was pre-diabetic and I had even more reason to watch my diet, even more reason to walk. As the daily walks got longer - two, three, eight miles - so the weight started to come off, and stay off. This morning, when I weighed myself, I was exactly two stones lighter than I had been the week I learned I had Meniere's. And I've just had to buy a new pair of trousers that are smaller around the waist than any I have worn this century.

Mountain

Mar. 9th, 2025 10:13 am
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Yesterday I went over to Hastings for lunch with Leigh and Dev and others, a lovely day. But my train from Ashford to Hastings was cancelled. So I ended up having to catch a replacement bus service (not a very adequate one, the bus was stuffed and there were still around a dozen people who couldn't get on). The first stop after Ashford is a village called Hamstreet, which is just on the edge of the Romney Marsh, so the land round about is absolutely flat. And as we left the village I noticed a sign: "Mountain Farm". Well yes, the farmhouse was on raised ground, but the top of the rise was probably no higher above the surrounding flatness than the top of my head. I've never been called a mountain before.
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Somewhat surprised to discover that a science fiction anthology for which I wrote the introduction is now available for pre-order. Honestly, I did think it would be later in the year or even next year before it appeared. Anyway, the book is called One Million Times edited by Rogelio Fojo and R. James Doyle, and was sparked by a Christopher Priest story, which is how come I was invited to write the introduction. It is available through Amazon:

https://www.amazon.co.uk/One-Million-Times-Science-Anthology/dp/1915304806/ref=sr_1_1?crid=1ASAYLH1VV0J7&dib=eyJ2IjoiMSJ9.6a_PFoZm20O5numlgzcQ48OwrYJW_NacfVcvIudwb20c1ODsRyXo72C414l-vtjGaxVIsT4rc65XkrY-Msuuf9AncoFyTwejcOKd8uKeOK0j0dQ50IuXtK9G-javTg3CglozsRK9B-OcBu_UAlJj3euJccoGZtVAEwQYjWbswyIxkHOQqg8JkUa3lQohgMeslCYUr_AHOyWW-RuEKzrnEF78nEBtJJ4QdBp-bL6b_3M.gOJJXcJoW1kKCfyB6KVR0UJOehGqykdtFzdLESQMU3o&dib_tag=se&keywords=one+million+times&qid=1741247115&s=books&sprefix=one+million+times%2Cstripbooks%2C98&sr=1-1

And while I was checking this out I noticed that my own new book, Colourfields: Writing About Writing About Science Fiction, which comes out at almost exactly the same time as the anthology, is also on Amazon. Ridiculously I hadn't thought to check beforehand.

https://www.amazon.co.uk/Colourfields-Writing-About-Science-Fiction/dp/1738561739/ref=sr_1_4?crid=1JRIM8874M6CF&dib=eyJ2IjoiMSJ9.Upb0sFRAGK1rP2yaP0WN_YcQsDzj2okxuagegMkT4blHbqnrY-0E-YR95IeiCDwKBGQjIkv-plbEjdY07LWF0HU4nvp95ziU3oynB_lImq6nIffpKm0R3EIz7l9MZ8C7ktzQoSvWmOJYPUEL_b-S59H4mV6mIHRMoglJm0VMapYVUfXYj1qdvDqkS7vjZbW8dsSLuhsynjh1hQ57JcrC2rL3xBWOBQq_W1mmPHN9Stw.mM5aWMOjz370JP9EO3JwtqWXAQmns-aFA7TV0tW4Z-c&dib_tag=se&keywords=paul+kincaid&qid=1741247444&s=books&sprefix=paul+kincaid%2Cstripbooks%2C87&sr=1-4

Outing

Mar. 3rd, 2025 09:54 am
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I am planning a trip to Hastings this coming Saturday, so I was checking the train times. I first went to the Southeastern web site, put in my departure station, Folkestone Central, and my destination, Hastings, and the site wouldn't accept it. It kept telling me I couldn't have the same place for departure and destination. I hadn't realised Folkestone and Hastings were the same place, I'd have visited more often if I'd known.

So I went instead to the Trainline site. This, at least, realised that Folkestone and Hastings are two different places. Then I decided to check returns. If I specify the times I want to travel it was £6.10 each way, but I don't know exactly when I'll be leaving so how about a one-day return. Ah, this is £25. What?

Wilson

Mar. 1st, 2025 11:19 am
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I am currently reading Stefan Collini's Common Reading, and in an essay on Edmund Wilson I came across a lovely line. In later life, Wilson was holed up in the family home on Cape Cod, "blinds drawn against the light, Scotch opened against the dark." I would love to come up with lines like that.

Catfood

Feb. 25th, 2025 01:15 pm
paulkincaid: (Default)
Just had a delivery of catfood, five very heavy boxes that should keep the little monsters in food for the next three months. Except that the delivery driver thoughtfully piled them right outside my front door. For those who haven't been here, the front door opens outwards. So I couldn't actually get out in order to get the boxes inside. It took over five very strenuous minutes of pushing and pushing at the door until I managed to open a very narrow gap that proved to be just enough for me to squeeze through. All I can say is thank heavens I've been losing weight recently.
paulkincaid: (Default)
I'm reading a collection of essays and reviews by Stefan Collini, and in a review of a biography of Aldous Huxley I came across this reference to Huxley's time in Hollywood around 1940: "His later letters are full of references to unused scripts and unrealized projects. High on the list of the latter was the musical comedy version of Brave New World: the rights were sold, but, as Murray drily notes, 'the musical remains unmade'."

I am trying to imagine Brave New World as a Hollywood musical.

To work

Feb. 22nd, 2025 07:54 am
paulkincaid: (Default)
Just dispatched my second review of the year, with two more books waiting in the wings. Suddenly feeling rather busy.

I won't name the book I've just reviewed because I honestly cannot recommend it. It took me a long time to read because it is written in the most impenetrable academese that I have encountered in years. More long words per inch, less clarity per page. Then you get words like "obsolete" used as a verb (I would really love to obsolete that practice), and Anthropocene acquires an adjective, "Anthroposcenic", with an interpellated "s" that makes it sound like a tourist guide. Why do so many academics seem to believe that clear, accessible prose devalues their academic status?

Anyway, on to a more straightforward and hopefully better written book.
paulkincaid: (Default)
I'm trying to work out how to habituate myself to using Dreamwidth, since what usually happens is that I post entries haphazardly, don't get into the habit, and so all too readily just forget about the whole thing. Facebook is the one exception to that and I'm not exactly sure why except that there is one characteristic it shares with Dreamwidth, the ability to write at length. I don't always want to write at length, but I don't like the constrictions of a maximum number of characters. So I suppose it is probable that the reason I lose interest in so many social media platforms is that I don't want to be tied to how much I am allowed to say. It is this relative generosity on length that makes me think Dreamwidth might (just might) prove a viable alternative to Zuckerberg's Trump-worshipping, no-fact-checking, despicable little regime. So, I thought for a while I would mirror my posts to both platforms just to see how it goes. If Dreamwidth does prove appealing, then in time it will be easy to just start running down the Facebook posts.

One last question to those who have been here longer than me: is there a Dreamwidth app? It would be much more convenient to call it up on my phone or tablet if I didn't have to keep logging in every time.
paulkincaid: (Default)
I don't know whether this will work, I'm not very good at keeping up with social media accounts, except for Fbook, and I'm looking for an alternative to that. So this is by way of an experiment.

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